selected projects:

2024  “EMPATIA” spaice: “ROOMING INN” Vienna, Austria.

2022-  “favorite landscape” "Jan Arnold" gallery Vienna, Austria.

2022 - group exhebition (Tiroler Landesmuseum Ferdinandeum, Innsbruck) Austria.

2021 – "history of creating a series of paintings"

 ”Detenpyla” Gallery. Lviv, Ukraine. 

2020 – “Welcome ”Art Center Dzyga”. Lviv, Ukraine.

2019 Participant of the residence “Nástupište 1-12” Topolcany, Slovakia.

(Twelve-hour performance "sculpture") 

2018- THE SHEPTYTSKY CENTER “intervention” Lviv, Ukraine

2015  “Sculpture” ”Detenpyla” Gallery. Lviv, Ukraine. 

GRAFIKA2012 link

grafika 2018-2024 link

Risographs & Mimeographs

“Empatia Riso Series” 2023

Collection of 9 1c Risographs on Pergraphica 300gsm,

30x40cm, edition of 20

All prints ship signed and numbered by the artist

List included prints: “Mental cage”, “Empatia”, “Shelter our sky”, “Anthracite”, “Welcome”, “unspoken identities”, “Support Armed Forces of Ukraine”, “gummi teppich zimmer”, “No title”

The project was realised at MuseumsQuartier Vienna by "Jan Arnold Gallery". curator Sebastian Schager

Materials: Canvas, acrylic, letterpress carpet print, typographic ink.

Year of execution: 2022.

photos: Sebastian Schager

"history of creating a series of paintings"

the series consists of two stories (the series reveals the rights to self-expression in public space).

in the city of Lviv, I was detained by the local police for petty hooliganism (drawing graffiti on the factory fence)

These canvases were created using rubber carpet letterpress printing. Which I borrowed without permission when leaving the Lychakov police station.

 Together with my friend Roman Bordun (documentary photographer), we recorded and filmed a series of interviews with ten street artists of the city of Lviv. On the topic of their personal stories, which are directly related to conflicts with the police caused by street painting.

The exhibition took place at the Detenpyla Gallery on December 11, 2021

the size of one canvas is 2x140 cm. total length is 7 m.

Materials: Canvas, acrylic, carpet letterpress, typographic paint.

year of execution 2021

The entire collection is kept in the private collection 

 ”Detenpyla”  Gallery. Lviv, Ukraine. canvas 200x117cm oil, monotypia (door mat print)

the purpose of the project is to draw attention to

THE PROBLEM OF SOCIAL PROTECTION OF UKRAINIAN MIGRANT WORKERS

Materials: Canvas, acrylic, carpet letterpress, typographic paint.

year of execution 2018

photos: Wojciech Pacewicz

2018 “Tam gdzie teraz” gallery Labirynt curator Waldemar Tatarczuk Lublin Poland canvas 200x150cm oil, monotypia (door mat print)

2022 –  Landes museen Innsbruck Austria

https://www.tiroler-landesmuseen.at/blog-artistsforukraine/

canvas, acrylic, monotypia (door mat print)

Materials: Canvas, acrylic, carpet letterpress, typographic paint.

implementation year 2022

2022 –  Landes museen Innsbruck Austria https://www.tiroler-landesmuseen.at/blog-artists for ukraine/ canvas, acrylic, monotypia (door mat print)

"Corrosion" 60x90 Auto Tech. linocut, monotype, enamel. 2013                      "Iron Man" (fragment) Auto Tech. linocut, enamel. 2013

2022 –  Landes museen Innsbruck Austria https://www.tiroler-landesmuseen.at/blog-artists for ukraine/ canvas, acrylic, monotypia (door mat print)

2020 work shop “Implement the spontaneous,imaginary” program Tandem Ukraine and OpenPlace and Studio of Young Artists Association Uzhhorod Ukraine similar projekt 2022 workshop curator: Anna Dubinchak Bratislava Slovakia

2) Thing which is on the top is like thing which is on the bottom and thing which is on the bottom is like thing which is on the top. The semiotic image of the object - round mirror - the symbol of the sky, the square base of pedestal - a symbol of the earth. Per visibilia ad invisibilia - What is above is similar to the one below, what is below is similar to the one above. The mask with a long nose symbolizes the hidden person who eagers to know the world through the lense of himself. The eternal context of duality. The re ection of the mask/object is the only evidence of its presence and at the same time we can not see it as far as it is above the line of horizon, it's not reachable for our eyes and we can only believe in its reflection.

2017 – Finalist of the Nathan Altman Contemporary Visual Art Competition. Vinnytsia, Ukraine.

2019 Participant of the residence “Nástupište 1-12” Topolcany Slovakia

Fire is an element that accompanies destruction and chaos, as well asthe dissolution of energy of chemical bonds. At tae same time, fire is the Ife,light and beauty. Hence, burning up the past to light up the future. Performance process; catarsis, tribute, spiritual prac- tice. Comprehension of one's own thinking.

Materials: white shirt, hair, gasoline.

2014-Festiwal performance “Koło Czasu” Torun, Poland.

2014 Week of Contemporary Art in School performances Przemysław Kwiek Lviv Ukraine

If the plant won't die, the seed will not have a reason to grow. Every new beginning has an end. A human being dies every day to be reborn.

The goal is to understand the unity and completeness, torn apart in time, just like 'Alpha' and 'Omega'. The latter complemented by the laws of life and moral, ethical values. A Christian is 'born' and christened to the tune of a prayer, dying to the songs of liturgy. What is created on Earth, must return to Earth.

                                                            2015 - Art festival performance Interakcje Piotrków trybunalski Poland 

The process of creating a series of canvases for the "Empatia" project reflects both the artist's internal struggle with his own emotions and ideas, as well as the external influences and expectations of society. Rebroadcasting an individual story as a refugee. So is an indifferent observer of the violence that is happening because of the war in Ukraine. Through "Empatia", the artist tries to reflect not only his own experiences, but also to create a work that opens a dialogue with the viewer and provokes his own reflections. The Empatia project raises deep questions about experiencing war at a distance.

  2024  “EMPATIA” spaice: “ROOMING INN”       Vienna, Austria. link 

"Deer" stencils, acrylic, spray, canvas, paper 60x40

In this project in Chernivtsi, I continue the series of works "Welcome"

The idea of ​​the project was to create two large 3x2 m canvases and a series of linocuts (installation sketches)

On the topic of "Soviet "liberation" terror". The works were located in two locations: the Local History Museum is located in the center of Chernivtsi at the address: str. O. Kobylyanska, building 28 and the Armenian Church of the Holy Apostles Peter and Paul is an active Armenian Catholic church of the eastern rite in the city of Chernivtsi. It was built and consecrated in 1875, it functions intermittently during the stay of Soviet power in Bukovina. and a local history museum.

It was in these places in 1944 that brutal actions took place the then community of Chernivtsi. Such as stalking, wiretapping, abuse and murder. Violation of a person's right to freedom of worldview and religion in Ukraine, which in this context is closely related to historical events in the city of Chernivtsi.

Namely, the closing of the Armenian Church by the Soviet authorities to create a bomb shelter.

The paintings were created as part of the Art-Residence "Frontera Frustrate: Unspoken Identities"

Curators: Taras Polatayko, artist, director of TsCM Bunker

Waldemar Tatarchuk, artist, director of Galeria Labirynt (Poland)

and the curator of the theoretical part of the residence:

Oleksandr Sushinskyi, art critic, lecturer, curator of the Bunker Museum of Contemporary Art

The project is supported by the European Union and the House of Europe program

Dates of residency: August 1-30, 2020, Chernivtsi

Materials: Canvas, acrylic, carpet letterpress, typographic paint.

year of execution 2020

Vertical canvas 3x2m. kept in a private collection: Martin Roiter/Martin Roiter

The horizontal canvas 3x2 meters is kept in the private collection of: Igor Abramovich (Art dealer, art critic, curator, patron, art producer.)

"WELCOME"

The Ukrainian community voluntarily lends the artist their home carpets to create a work of art.

 "Welcome" is a multidisciplinary project that involves the practice of participation in culture, as well as cultural diplomacy.

 Participation in the project: Ukrainian community living in the city of Vienna.

Materials for installation:

Ties: (200 mm x 4.8 mm) 1000 pcs. black + 1000 pcs. white

Rent of a metal frame (mobile fence) (3 pieces x 2 m; 2 pieces x 1 m)

video: Directing work, Video editing, (subtitles) Sound.

Monitor 24 inches (mounting), Studio Headphones.

translation: all information collected during the interview will be translated into three languages: German, English, Italian.

300 pieces of different carpets.

‘Favourite landscape’ (manifesto)

WE DEMAND TRUTH, JUSTICE AND REPARATION! 

The project (manifesto) emerged in the first month of the full-scale invasion of Ukraine by Russian troops in 2022 while in residence in Rietz Tyrol Austria under the Artist at Risk programme. 

All the paintings depict a typical Ukrainian steppe landscape

on which the first towns and villages occupied by the invaders are printed with ‘children's cubes with Latin letters’. 

Unfortunately, many people living in Europe are misinformed. 

Therefore, with this series of works I want to express a manifesto against Russian crimes committed in Ukraine.

The people of Ukraine are experiencing a serious human rights crisis. Since Russia invaded in violation of international law, civilians, including children, have been killed in Ukraine - and many more lives are at risk every day. Tens of thousands of cases of war crimes have already been reported. Russia's invasion of Ukraine is a flagrant violation of the UN Charter and an act of aggression, which is a crime under international law. All those involved in this crime must be held accountable. Decisive action by the international judiciary and the international community is now needed to advance the investigations. Brief interview excerpt.